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eview by Jennifer McGaw
Of great use to the student of Renaissance painting
and illumination. This is a primary source for painting methods, written in
15th century Florence. While most of Cennini's methods are superseded by
modern technology (who needs to know how to keep miniver tails from getting
motheaten?), the descriptions for techniques such as gilding, making period
transparent paper, ink making, and metalpoint are invaluable. As with most
period "how-to" books, it is as much a commentary as it is a manual; Cennini
livens up the page with advice for the fledgling artist such as the proper
frame of mind for entering the profession, and how to stop shaking hands by
staying away from women.
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